2015.04.09 > 2015.04.11
CĂ©line Moinet
Orchestre National de Lille
Eiving Gullberg Jensen
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Mozart La Flûte enchantée, ouverture
Mozart Concerto pour hautbois
Pasculli Fantasia sull'opera "La Favorita" di Donizetti
Chostakovitch Symphonie n°5

jeudi 09 et vendredi 10 avril 20h Lille Auditorium du Nouveau Siècle
Retrouvez CĂ©line Moinet et des musiciens ONL dans un concert flash le vendredi 10 avril Ă  12h30 (Mozart/ W.F. Bach/ Britten)
Samedi 11 avril 20h Loon-Plage Salle Coluche 

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Adrien et Christian Pierre La Marca au Festival de Pâques Aix en Provence
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Concert Frères et Soeurs 

Franz Schubert (1797-1828)
Quintette Ă  cordes en ut majeur, D. 956
Felix Mendelssohn (1809-1847)
Octuor à cordes en mi bémol majeur, op. 20

Renaud Capuçon, violon
Gautier Capuçon, violoncelle
Guillaume Chilemme, violon
Marie Chilemme, alto
Adrien La Marca, alto
Christian-Pierre La Marca, violoncelle
David Moreau, violon
Raphaëlle Moreau, violon
Edgar Moreau, violoncelle

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Stile Antico Passion & Resurrection
Festival de Musique Sacré de Perpignan
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Variations du soir.
Avec Stile Antico, ensemble de jeunes chanteurs britanniques à la renommée internationale, le festival vous convie dans l'univers de la grande tradition des chœurs anglais qui brillent dans l'interprétation des plus belles œuvres polyphoniques de la renaissance. Partons pour une exploration musicale des événements religieux de la Semaine sainte et de la Passion du Christ vus à travers le prisme des œuvres chorales anglaises ou continentales du XVIè siècle...
Avec Kate Ashby, Helen Ashby et Rebecca Hickey (sopranos), Emma Ashby, Katie Schofield et Eleanor Harries (altos), Jim Clements, Benedict Hymas et Andrew Griffiths (tenors) et Will Dawes, Nicolas Ashby et Matthew O'Donovan (basses).

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2015.04.09 > 2015.04.11
Javier Perianes Julie Pasturaud
Orchestre National de Lyon Jun Märkl
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Toshio Hosokawa Blossoming II
Manuel de Falla Nuits dans les jardins d'Espagne
Hector Berlioz Les Nuits d'été
Richard Strauss Suite du Chevalier Ă  la rose 

Jeudi 09 Avril Auditorium de Lyon
Samedi 11 Avril Chalon-sur-SaĂ´ne Ă  Espace des arts

> Site de l'Orchestre National de Lyon
Brentano Quartet | Joyce Didonato | Jake Heggie
Barbican Centre
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Camille Claudel: Into the Fire / Brentano Quartet
Joyce DiDonato Artist Spotlight
14 April 2015 / 19:30
Milton Court Concert Hall

Debussy String Quartet
Renaldo Hahn Venezia
Jake Heggie Camille Claudel: Into the Fire (European premiere)
Isabelle Faust & Alexander Melnikov au Grand Théâtre d'Angers
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Dvorák: Romantische Stücke für Violine und Klavier op. 75
Enescu: Impressions d'Enfance fĂĽr Violine und Klavier op. 28
Tschaikowsky: MĂ©lodies fĂĽr Violine und Klavier TBA
Jean Françaix: Sonatine pour violon et piano, 1934
Gabriel Urbain Fauré: Sonate für Violine und Klavier Nr. 1 A-Dur op. 13
Upcoming events
Quatuor Tana
Jacques Lenot
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le ciel retrouvĂ© 
IntĂ©gral des quatuors Ă  cordes 


> Rinaldo Alessandrini's page on NaĂŻve's website
Brentano Quartet
The Late String Quartets Op.130 & Grosse Fuge Op.133
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Alexandre Tharaud
Mozart & Haydn
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Joyce DiDonato | Bernard Labadie
Les Violons du Roy

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Andreas Staier
Robert Schumann
Variationen & FantasiestĂĽcke
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This third volume of Andreas Staier's series devoted to the piano music of Robert Schumann begins with his first published composition, the "Abegg" Variations op.1, and ends with his very last work, posthumously published "Geistervariationen". The road he travelled between the two words was a long one, yet this programme also brings out the consistency of the poetic urge that gives Schumann's music its matchless powers of evocation.

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Alexander Melnikov
Complete Works for violoncello & piano
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Beethoven's works for cello and piano were written between 1796 and 1815. He effectively created the sonata for cello, with an independent piano part, in his Op.5, intended for Jean-Louis Duport and dedicated to Frederick William II of Prussia. Like the delightful variations on themes by Handel and Mozart, they represent his first-period style, as Op.69 typifies the second. The two sublime Sonatas Op.102, for their part, already herald the unprecedented stylistic freedom of the composer's final decade.

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Javier Perianes
Felix Mendelssohn
Lieder ohne Worte
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This programme illustrates four essential qualities of the music of Felix Mendelssohn. Music stripped of all superfluity, including the literary aspect (Songs without Words); a gift for creating magical atmospheres (Rondo capriccioso); unconditional admiration for classical order; and, finally, a genuine veneration for Bach (Prelude and Fugue op.35). The whole radiant universe of Mendelssohn is encapsulated here.

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Alexandre Tharaud
Satie, Ravel, Debussy, Poulenc & Others
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Sonata n°1 for cello & piano
The complete work for piano (2 CD)
Avant-dernières pensées / Solos & duos (2 CD)
Sonatas & suites for cello / clarinet & piano
& WORKS by Zoltán Kodály, Alban Berg, Anton
Webern, Frederic Mompou, Henri Dutilleux,
Pierre Boulez, Olivier Messiaen et Thierry PĂ©cou

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Alexander Melnikov
Paul Hindemith
Sonatas for...
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Hindemith composed more than 30 sonatas for the most diverse instruments – all of which he was capable of playing himself! This fascinating selection of works written between 1935 (when he became persona non grata in Nazi Germany) and 1948 (the brilliant Cello Sonata for Piatigorsky) is played by some of today's finest soloists, with the guiding spirit of Alexander Melnikov at the piano. How often does one hear a sonata for Althorn? Especially one published along with a poem by the composer?

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Signum Quartet
Debussy · Adès · Ravel
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It is a plea for the direct experience of a music that had become fed up with the constraints of traditional forms. Debussy’s music especially reveals characteristics that justifiably move it into the proximity of Impressionist painting, as it produces moving paintings, landscapes of sound, soundscapes in the narrowest sense of the word that can draw the listener into the middle of the picture. Maurice Ravel’s String Quartet, completed in 1903, had to be and was compared with Debussy’s quartet. At the same time, it can be seen here how Ravel’s musical diction – based on Debussy’s – prepared the way for French Modernism. Like only few of his colleagues, the Briton Thomas Adès, born in 1971, is capable of fusing traditional elements from music history, including obvious references to existing compositions, with modern sound production into an individual style appealing directly to the listener.

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New releases

Alexandre Tharaud

From the 6th - 8th March, Alexandre Tharaud made his debut with the Pacific Symphony Orchestra performing Ravel's Piano Concerto in G Major.  Click here to read a fantastic review!
at -_debussy_cd2